Oct. 24 - Nov. 9, 2008

performing at
The Portland Center for the Performing Arts
Brunish Hall
1111 SW Broadway
Portland, OR

Join the Re-Theatre Instrument for their second exhilarating production, a sparkling new adaptation of one of history's greatest works of literature, King Lear, and its unlikely but prescient intersection with Major League Baseball.

Retiring commissioner Lear, vain and full of hubris, steps down while blithely conveying power on those whose leadership skews more laissez faire than fair.

Players on steroids, runaway salaries, corrupt executives and a disgruntled mascot vie for equilibrium on an unlevel playing field. Will our beloved national pastime survive?

About the show

The Re-Theatre Instrument’s King Lear is a contemporary dialogue adaptation of Shakespeare’s classic. RTI began the rehearsal process with only a story outline and built all the text through improvisation, though the show you will see is performed from a now completed script. The running time is 2 hours 20 minutes including a 15 minute intermission.

Read more about our process here


Reviews & Testimonials

"...strong performances...give the production an impressive batting average."
Marty Hughley, The Oregonian
Click to read the whole article.

"Perhaps the play — maybe even the double play — is the thing."
Eric Bartels, Portland Tribune
Click to read the whole article.

"...the dialogue is snappy and startling...a refreshing piece of work..."
Followspot

"The production is swift and strong, and the acting excellent."
Cate Garrison, audience member


Cast

Ted Roisum - R.G. Lear, Owner of the Pittsburgh Gents and the Commissioner of Baseball

Ted is pleased to be making his first appearance with the Re-Theatre Instrument. Ted's other Portland Credits: Another Fine Mess, King Lear, A Christmas Carol, True West, Hamlet, The Devils Bus Stop (Portland Center Stage). The Country Girl, Long Days Journey Into Night, The Subject Was Roses, Diary of Anne Frank (Artists Repertory Theatre). All My Sons, Klonsky and Schwartz (Profile Theatre). The Set-Up, St. Nicholas, Faith Healer (Cygnet Theatre), Watch on the Rhine, Rashomon (New Rose) Regional Theatres: Pioneer Square Theatre, Seattle; Columbia Theatre, Longview; Oregon Shakespeare Festival, Ashland.

Pat Janowski - Gloria Goneril Albany, Owner of the Los Angeles Knights

Pat has been on an artistic quest her whole life. She wrote, directed and performed in plays in elementary school, and continued on the stage throughout her schooling. While never letting go of her love of performing, she took a twenty year detour to pursue an honest living, earning her degree in physics and French literature and masquerading in the worlds of journalism and advertising. She now brings her many-faceted passion to Lear, including an abiding love for and appreciation of the Minnesota Twins (particularly the early 80's teams: big ups to Brunansky, Gaetti, Hrbek and Puckett).

Making up for lost time, Pat now does it all. At the same time. A selection:
Radio: Live Wire! Siren of Sound (sound effects) to Triage drama series.
Music: Choir Director (Flash Choir) to Master Harmonizer (Emily Post).
Theatre: Orestes (Helen of Troy) to It's a Wonderful Life.
Film: Commercial, independent, and webisodes.
Family: The incredibly understanding John, Joe, and Nora, without whom none of this would be possible.

Racheal Erickson - Regan Hartnett-Cornwall, Owner of the New York Crowns

King Lear marks Racheal's first appearance with the Re-Theatre Instrument, and she is very excited to be a part of it. She is member of Northwest Classical Theatre Company where she has appeared in a wide variety of roles including Beatrice in Much Ado About Nothing Tamora in Titus Andronicus and Helena in A Midsummer Night's Dream. NWCTC has also allowed Racheal to stretch her directing muscles, and she is very proud of the recent productions of Krapp's Last Tape and Hedda Gabler.

Sara Fay Goldman - Cordelia Lear, Vice President of the Pittsburgh Gents

Sara Fay Goldman is relatively new to the Portland theatre community and finds herself working with more New Yorkers than ever before, including in school, in New York. She studied theatre at Barnard College and has recently appeared in Portland Actors' Ensemble's Julius Caesar and Scott Tebeau's webseries Everything Will Be Fine. This is Sara Fay's first production with the Re-Theatre Instrument, and she would like to thank Jason for scheduling so many hours to talk loudly about Shakespeare.

Keith Cable - Roger Albany, General Manager of the Knights

Keith is making his first appearance with Re-Theatre. He has been in several productions for Theatre Vertigo, including "Escape From Happiness" and "Like I Say." In fact, he was a member of Theatre Vertigo until recently, when he realized his four year old son laughed at his dumb jokes too, and it didn't involve as much travel.

Tom Mounsey - John Cornwall, General Manager of the Crowns

See company bios.

Jeff Gorham - Mike Gloucester, Manager of the Crowns

See company bios.

Ben Buckley - Edgar Gloucester, SS - New York Crowns

This is Ben's first production with the Re-Theatre Instrument. His past Portland credits include The Beard of Avon/Twelfth Night, First Beard (Portland Center Stage), Singin' in the Rain, The Andrews Sisters (Broadway Rose), Hello Dolly, Oklahoma, Where's Charley (Lakewood Theater Company), The Seagull (Artists Repertory Theater), The Secret Garden (STAGED), Babes in Arms, Jack and the Beanstalk, Narnia, Pinnochio, Peter Pan (North West Children's Theatre). He also spent this last summer with the Chattauqua Theatre Company in New York playing Lysander in A Midsummer Night's Dream and workshopping Zayd Dorn's newest play, Sick. Ben trained at the London Academy of Music and Dramatic Art where he earned a BA in Theatre.

Jeffrey Gilpin - Edmund Gloucester, 3B - New York Crowns

Jeffrey has played various roles in India, SE Asia, London, Chicago, Seattle, Los Angeles, and Portland. His most recent theatre work includes Arles Struvie, et. al in A Tuna Christmas (Oregon Repertory Theatre); Orchestro in A Lovely Day (Upon These Boards); and Musician/Big Mike in The Boxcar Children (Oregon Children's Theatre).

He has also been seen in numerous roles with Profile Theatre Co., Artists Repertory Theatre, Salem Repertory Theatre, Portland Center Stage, The London Academy of Music and Dramatic Art, Tygres Heart Shakespeare Company, the Washington Shakespeare Company, and many others. Jeffrey holds a Master of Fine Arts in Acting degree from The London Academy of Music and Dramatic Art, a Master of Arts in Teaching degree and Bachelor of Science degree in Theatre Arts and Psychology from Willamette University in Salem, OR.

He is presently the Artistic Director for Oregon Repertory Theatre and Portland Public Schools.

Deirdre Atkinson - Reece Kent, Lear's most trusted advisor

Deirdre is thrilled to make her debut with the Re-Theatre Instrument. Portland performances include: Christmas Past in Appalachian Ebeneezer with Artists Repertory Theatre; Lydie Breeze in Bullfinch's Mythology, Sally Talley in both Talley's Folly and Tally and Son, Bessie in The Ride Down Mount Morgan, and in Gint, all with Profile Theatre Co.; Queen Elizabeth in Richard III and Lizzie in Goblin Market with Stark Raving Theatre; The Medium in Rashomon and Isobel in Lion in the Streets with Theatre Vertigo; Terri in Carver Country for Portland Arts and Lectures: VERB series; Addie in The Water Principle for Sowelu; Miranda in The Tempest at Tygre's Heart; Kate in Symphony of Rats and Poppiette in Half Light with Imago Theatre; The Bride in Blood Wedding with Miracle Theatre; Lady Capulet in Romeo and Juliet, the Storyteller in Peter Pan, Milady DeWinter in The Three Musketeers, and Titania in A Midsummer Night's Dream, all with the Northwest Children's Theatre.

She teaches the drama program at the Catlin Gabel Middle School and can often be found, staying up too late on a school night, dancing the Tango.

Joseph Sousa - Gentleman Joe, Mascot of the Gents

Joseph Sousa comes fresh off the Brooklyn boat to Portland. Several of his New York credits include Hal in Proof directed by Jason Zimbler, Fedotek in Three Sisters at La Mama, Davis in Red Light Winter in the New Workshop Theatre, and dying soldier in Shakespeare in the Park's Mother Courage. Joseph recently completed his first play Jacova which will have it's NYC premiere this winter with The Barefoot Theatre Company. He is also a proud member of 776 Lincoln Productions which is wrapping their first documentary Witch Orphans about children accused of witchcraft in Angola. Many thanks to the lovely Kerry and Sam for the gracious hospitality.

Jonah Weston - Ensemble

Jonah is pleased to be the last minute addition to Lear. He was last seen in An Evening of William Butler Yeats: Poetry and Plays at the Stonehenge memorial at Maryhill museum. Other Portland credits include Curate Shakespeare As You Like It, Arcadia, Three Years, Orestes, By The Bog Of Cats, What Mad Pursuit, and Alcestis, as well as several readings for Readers Theatre Rep, Classic Greek Theatre of Oregon and directing for Pavement Productions "End of the Pavement" festival. Jonah will be seen next in Biloxi Blues at Profile Theatre.


Staff and Designers

Jason Zimbler, Director

See company bios.

Daniel Shaw, Scenic Designer

A five year resident of Portland, Shaw designs and builds sets for various theatre companies in town; including Portland Center Stage, Third Rail Repertory, Northwest Children's Theatre, and now the Re-Theatre Instrument. Also a director and actor, Shaw has been seen as Krapp in Beckett's Krapp's Last Tape, Don Pedro in Much Ado About Nothing (which he also directed and designed) and most recently, as King Creon in Antigone.

Kyoko Nagao, Costume Designer

Kyoko's work as costume designer include a short melodrama piece called Traintracks, one of the ten plays presented at Chuck Mee Challenge, 2007; We Won't Pay We Won't Pay by Dario Fo, and Secret Rapture by David Hare, both for Portland Actors Conservatory (PAC). Most recently, she was costumer/stylist for Passing Fool Productions' short video piece Vaudevillian.

Kyoko's future projects include Chemeketa Community College's (Salem, Oregon) production of Neil Simon's Brighton Beach Memoirs in November, and she will be returning to PCPA in December for Oregon Repertory Theatre's remount of A Tuna Christmas where she was the Dresser and Wardrobe Supervisor for their inaugural production last year.

She is a free-lance fashion consultant, and a Japanese interpreter for the U.S State Department.

Gayle Shanley, Lighting Designer

Gayle Shanley is thrilled to be working with the Re-Theatre Instrument again! A freelance math and drama teacher in homeschooling circles in Portland. Gayle has light designed One for Insight Out and Happily Ever After, Ha Bu Na Ka, and Evolution for Do Jump!'s Zig Zags. Some previous favorite light designs include Hedwig and the Angry Inch, Machinal, Equus, and A Bright Room Called Day in Providence, Rhode Island and The Tempest, Hot L Baltimore, and Amadeus in New Milford, Connecticut. She is passionate about Shakespeare and is (Shhh! Don't tell her inlaws!) a Red Sox fan.

Kyle Lange, Sound Designer & Assistant Director

Kyle Lange is a NYC ex-pat, musician, and songwriter. Don't worry though, he has a theatre degree, which is why he's here. Group script collaboration is a specialty of Kyle's in the theatre, and he has acted in, written, and directed some things over the years. He has recorded three albums, the latest with his Portland band, Barons In Trees, and is a proud member of the Veronica Lodge where he writes and records six songs in a twenty-four hour period every month. He also was involved with the Iowa Writers' Workshop in college. He is currently applying to graduate schools to get an M.A.T and teach high school English somewhere in Portland. He is hoping to get into Lewis and Clark.

Luke Norby, Video Designer

See company bios.

Jamie M. Rea, Production Manager

See company bios.

Aubree Lynn, Stage Manager

Aubree Lynn is new to the theatre-scene in Portland, and to Portland in general. Her Pacific Northwest roots are in Astoria, OR, where she kept herself busy with public radio and regional theatre. She was Production Stage Manager for The River Theatre for the final two years before the River's retirement. King Lear is her first production with The Re-Theatre Instrument, where the collaborative process on this show has intrigued and excited her. She has many-a thank you for the cast and crew for their open-mindedness to honest opinions and new ideas.